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The Light is Strange Out Here Isn't It?

robothugscomic:

New comic!

Yeah, I might have watched a movie and gotten kind of mad.

This is seriously a trope I’d love to never see again though.

(via themarysue)

hothotphone:

"Coasters"
“Wow, you sure have a lot of coasters.”
“I know, right? Gotta protect your surfaces.”
“Since you brought it up, where are your tables?”

“Sold them. Needed money for the coasters.”
“Then where do you put your glasses down?”
“Don’t have any glasses. Sold them to buy more coasters.”
“So what do you use the coasters for?”
“To start conversations.”
“How do you end the conversations?”
“Haven’t gotten that far yet. Hey, check out my coasters.”
“Wow, you sure have a lot of coasters.”
[Keaton Patti is a writer and comedian living in New York City. You may remember him from the previous sentence.]

hothotphone:

"Coasters"

“Wow, you sure have a lot of coasters.”

“I know, right? Gotta protect your surfaces.”

“Since you brought it up, where are your tables?”

“Sold them. Needed money for the coasters.”

“Then where do you put your glasses down?”

“Don’t have any glasses. Sold them to buy more coasters.”

“So what do you use the coasters for?”

“To start conversations.”

“How do you end the conversations?”

“Haven’t gotten that far yet. Hey, check out my coasters.”

“Wow, you sure have a lot of coasters.”

[Keaton Patti is a writer and comedian living in New York City. You may remember him from the previous sentence.]

(via shitroughdrafts)

George R.R. Martin

literarystarbucks:

George R.R. Martin goes up to the counter and orders a series of incredibly complicated drinks, each more detailed and layered than the last. The barista works for an hour and finally hands them across the counter to Martin, who promptly throws one of them away with little to no explanation. That coffee had been the barista’s favorite.

(via theconstantdrumming)

kyrael:

ghostintaylor:

gallifreyfieldsforever:

I sincerely believe that by 7th year Ravenclaws would just tell the door to their common room to fuck off and it would open for them

 (via)

Q “Why is a raven like a writing desk?” 
A “You shouldn’t shove either up your arse.” 
"…Technically, yes."

(via theconstantdrumming)

  • teacher: are there any classes you are struggling with?
  • me: the bourgeois
  • teacher: what
  • me: what
  • karl marx: nice

marguerite26:

kk-maker:

2spoopy5you:

lohelim:

winterthirst:

sabacc:

Steve Rogers did, in fact, realize that something was off when he saw the outline of the woman’s odd bra (a push-up bra, he would later learn), but being an officer and a gentleman, he said that it was the game that gave the future away.

 (via)

No, see, this scene is just amazing. The costume department deserves so many kudos for this, it’s unreal, especially given the fact that they pulled off Peggy pretty much flawlessly.

1) Her hair is completely wrong for the 40’s. No professional/working woman  would have her hair loose like that. Since they’re trying to pass this off as a military hospital, Steve would know that she would at least have her hair carefully pulled back, if maybe not in the elaborate coiffures that would have been popular.

2) Her tie? Too wide, too long. That’s a man’s tie, not a woman’s. They did, however, get the knot correct as far as I can see - that looks like a Windsor.

3) That. Bra. There is so much clashing between that bra and what Steve would expect (remember, he worked with a bunch of women for a long time) that it has to be intentional. She’s wearing a foam cup, which would have been unheard of back then. It’s also an exceptionally old or ill-fitting bra - why else can you see the tops of the cups? No woman would have been caught dead with misbehaving lingerie like that back then, and the soft satin cups of 40’s lingerie made it nearly impossible anyway. Her breasts are also sitting at a much lower angle than would be acceptable in the 40’s.

Look at his eyes. He knows by the time he gets to her hair that something is very, very wrong.

so what you are saying is S.H.E.I.L.D. has a super shitty costume division….

Nope, Nick Fury totally did this on purpose.

There’s no knowing what kind of condition Steve’s in, or what kind of person he really is, after decades of nostalgia blur the reality and the long years in the ice (after a plane crash and a shitload of radiation) do their work. (Pre-crash Steve is in lots of files, I’m sure. Nick Fury does not trust files.) So Fury instructs his people to build a stage, and makes sure that the right people put up some of the wrong cues.

Maybe the real Steve’s a dick, or just an above-average jock; maybe he had a knack for hanging out with real talent. Maybe he hit his head too hard on the landing and he’s not gonna be Captain anymore. On the flipside, if he really is smart, then putting him in a standard, modern hospital room and telling him the truth is going to have him clamming up and refusing to believe a goddamn thing he hears for a really long time.

The real question here is, how long it does it take for the man, the myth, the legend to notice? What does he do about it? How long does he wait to get his bearings, confirm his suspicions, and gather information before attempting busting out?

Turns out the answer’s about forty-five seconds.

Sometimes clever posts die a quiet death in the abyss of the unreblogged. Some clever posts get attention, get comments, get better. Then there’s this one which I’ve watched evolve into a thing of brilliance.

(via theconstantdrumming)

And now Klaus is apparently running off to go and save Sunny. In the books of course it is Violet, but I know that Hollywood prefers its female actresses to do very little.

—Lemony Snicket, A Series of Unfortunate Events audio commentary  (via captainofalltheships)

(Source: literatureloveaffair, via theconstantdrumming)